Those slices are compiled into animated movies, and played back on an iPad. But here's where it gets interesting: The team then drags the movie-p
laying iPad backwards while capturing the path with long-exposure photographs, about 3-6 seconds apiece. The photographs (of which about 5,500 were taken) capture the path of the iPad's light.
But due to human movement, the iPad isn't perfectly moved, like on a dolly--there's jiggling and hesitation and deviations. So not only is the original 3D rendering turned into a light painting, but one with motion and flaws. It's a pretty peculiar but also mesmerizing way to animate, and it's always fun to see new ways to use the iPad (in addition to the usual ones, like religious servicesand dolphin communication).